Options
Select any combination of the listed link choices, e.g. via Ctrl+Click (Windows) or Command+Click (Mac). The Break Lines checkbox toggles display of line breaks between the labeled fields of basic movie information. The Save button saves all of your option settings (for the current device and browser), or use Reset to restore all options to their original defaults. Your default options will be applied to all movie info pages.


Please login to rank this movie on your personal watch list. A higher rank indicates stronger interest. Use the Reports menu to conveniently review your watch list of top viewing candidates, sorted by descending rank.


After logging in, check Seen to indicate that you've already seen this movie. Optionally, you can also specify the date when you last saw it, and assign your personal rating to score how much you liked it (like Rusty's ratings). This information allows you to produce a variety of reports, e.g. your chronological viewing history or a list of your top-rated movies.

Thumbnail for G Men (1935) G Men (1935)

Basics Critics:72Viewers:65Rusty:77
Category: Crime, Drama, Mystery/Noir/ThrillerNotable as: Crime FictionSub-Category: Black-and-white, Crime Fiction, DramaMain subject: organized crimeRuntime: 85 - 86 minutesLanguage: EnglishCountry: United StatesDirector: William KeighleyScreenwriter: Seton I. MillerMusic: David ButtolphCinematography: Sol PolitoStars: James Cagney, Ann Dvorak, Margaret Lindsay, Robert Armstrong, Barton MacLane, Lloyd Nolan, Monte Blue, Raymond Hatton, Ward Bond, Pat Flaherty Producer: Louis F. Edelman, Hal B. WallisStudio: Warner Bros.Award nominations: Academy Award for Best StoryAward details: (details at IMDb)
Description

G Men is a 1935 Warner Bros. crime film starring James Cagney, Ann Dvorak, and Margaret Lindsay, and presenting Lloyd Nolan's film debut. According to Variety Magazine, the movie was one of the top-grossing films of 1935. The supporting cast features Robert Armstrong and Barton MacLane. G Men was made as part of a deliberate attempt to counteract what many conservative political and business leaders claimed was a disturbing trend of glorifying criminals in the early 1930s gangster film genre. Although the gangster films were typically presented as moral indictments of organized crime where the criminal protagonist inevitably died, they nevertheless depicted a life of freedom, power and luxury enjoyed by gangsters in the midst of a real-life economic crisis. Foremost of these films were Little Caesar, the original Scarface, and perhaps the most memorable, The Public Enemy, which catapulted Cagney to stardom. Also notable about these films was that law enforcement was typically portrayed as either impotent in the face of crime, or, as with Public Enemy, akin to a derelict and largely absentee father shirking his duty.


Home About Recommended Login Top